1 00:00:13,170 --> 00:00:36,670 [Music] 2 00:00:40,610 --> 00:00:38,120 all right 3 00:00:42,710 --> 00:00:40,620 welcome to the show James thank you for 4 00:00:45,590 --> 00:00:42,720 having me on it's it's so great to meet 5 00:00:47,780 --> 00:00:45,600 you here in person it's really really 6 00:00:51,260 --> 00:00:47,790 great come you have this wonderful 7 00:00:53,930 --> 00:00:51,270 energy that I'm so glad you're involved 8 00:00:57,320 --> 00:00:53,940 in this because you just have a great 9 00:00:59,270 --> 00:00:57,330 attitude and as I told you earlier 10 00:01:01,820 --> 00:00:59,280 my two favorite films and actually what 11 00:01:04,040 --> 00:01:01,830 really got me going and paying attention 12 00:01:06,620 --> 00:01:04,050 to this is out of the blue and I know 13 00:01:08,870 --> 00:01:06,630 what I saw those two films are great and 14 00:01:11,120 --> 00:01:08,880 now let's talk about what you're doing 15 00:01:11,510 --> 00:01:11,130 now and what's coming out well thank you 16 00:01:13,250 --> 00:01:11,520 for that 17 00:01:16,130 --> 00:01:13,260 I appreciate it it's always nice to hear 18 00:01:17,600 --> 00:01:16,140 that you know it's nice to hear when 19 00:01:19,430 --> 00:01:17,610 people appreciate the work you're doing 20 00:01:20,450 --> 00:01:19,440 because sometimes you kind of forget 21 00:01:23,210 --> 00:01:20,460 that there are others out there 22 00:01:25,850 --> 00:01:23,220 supporting you and and appreciating your 23 00:01:29,050 --> 00:01:25,860 work and so I always enjoy hearing that 24 00:01:32,569 --> 00:01:29,060 so thank you sure yeah 25 00:01:35,359 --> 00:01:32,579 let's okay before I get into the 26 00:01:38,959 --> 00:01:35,369 phenomenon I think I presented this 27 00:01:41,600 --> 00:01:38,969 yesterday at the conference but I always 28 00:01:43,609 --> 00:01:41,610 felt that the previous productions while 29 00:01:46,490 --> 00:01:43,619 they're good and I still stand by in 30 00:01:46,940 --> 00:01:46,500 them decades later they could have been 31 00:01:49,999 --> 00:01:46,950 better 32 00:01:53,749 --> 00:01:50,009 I felt that I just didn't quite meet the 33 00:01:55,300 --> 00:01:53,759 mark might so I always felt that I could 34 00:01:57,889 --> 00:01:55,310 have done better I didn't meet the mark 35 00:02:00,319 --> 00:01:57,899 when you set out to do a documentary you 36 00:02:02,060 --> 00:02:00,329 kind of have this idea of how it's going 37 00:02:03,800 --> 00:02:02,070 to materialize like yeah this is a 38 00:02:06,319 --> 00:02:03,810 certain vision of what it's going to 39 00:02:08,540 --> 00:02:06,329 look like at the end and it I never 40 00:02:10,520 --> 00:02:08,550 quite met made it with the with the 41 00:02:13,430 --> 00:02:10,530 first couple of films I did close and I 42 00:02:17,240 --> 00:02:13,440 was even know out of the blue seems to 43 00:02:19,220 --> 00:02:17,250 be more popular online I felt that 44 00:02:21,950 --> 00:02:19,230 although it's held up well over time I 45 00:02:24,530 --> 00:02:21,960 felt that I know what I saw was closer 46 00:02:29,540 --> 00:02:24,540 to what I was trying to accomplish but I 47 00:02:32,750 --> 00:02:29,550 still fell short I took notes mental 48 00:02:34,820 --> 00:02:32,760 notes during those times of rejection 49 00:02:36,300 --> 00:02:34,830 for a theatrical release with with I 50 00:02:39,809 --> 00:02:36,310 know what I saw and I'm 51 00:02:43,710 --> 00:02:39,819 we're thinking to myself in 2009 I'm not 52 00:02:45,180 --> 00:02:43,720 gonna make this mistake again but at the 53 00:02:46,589 --> 00:02:45,190 end of a long production you're kind of 54 00:02:48,150 --> 00:02:46,599 it's like the winds out of your sails 55 00:02:49,710 --> 00:02:48,160 the last thing you can think about is 56 00:02:52,020 --> 00:02:49,720 like jumping back into another one you 57 00:02:54,000 --> 00:02:52,030 know you just you know what it takes to 58 00:02:56,850 --> 00:02:54,010 put these things out and it's a huge 59 00:03:02,360 --> 00:02:56,860 commitment and a tremendous amount of 60 00:03:06,449 --> 00:03:02,370 focus and fundraising and work and so 61 00:03:08,280 --> 00:03:06,459 you want to get it right how many years 62 00:03:11,809 --> 00:03:08,290 would you say because I remember it had 63 00:03:16,380 --> 00:03:11,819 a different title a number of years ago 64 00:03:18,449 --> 00:03:16,390 7:01 was it yes and so that how many 65 00:03:19,289 --> 00:03:18,459 years in production has descent actually 66 00:03:24,449 --> 00:03:19,299 about six years 67 00:03:26,039 --> 00:03:24,459 so anyway getting back to it when we 68 00:03:31,050 --> 00:03:26,049 decided to move forward with this 69 00:03:34,289 --> 00:03:31,060 production I wanted to set my my sights 70 00:03:38,490 --> 00:03:34,299 high I wanted to include to look like 60 71 00:03:40,560 --> 00:03:38,500 minutes high-level production quality 72 00:03:42,690 --> 00:03:40,570 good camerawork professional audio 73 00:03:45,180 --> 00:03:42,700 lighting of course I do camera and audio 74 00:03:47,340 --> 00:03:45,190 and editing myself as well but but to 75 00:03:48,900 --> 00:03:47,350 really do it right you need the pros and 76 00:03:50,310 --> 00:03:48,910 you can't do it all yourself I mean and 77 00:03:52,620 --> 00:03:50,320 get that look and get the kind of 78 00:03:55,289 --> 00:03:52,630 results that you're looking for I wanted 79 00:03:57,630 --> 00:03:55,299 the UFOs to have to be treated like 60 80 00:03:59,130 --> 00:03:57,640 minutes I wanted all the interviews to 81 00:04:00,330 --> 00:03:59,140 look like 60 minutes I want the light 82 00:04:02,789 --> 00:04:00,340 him to look like 60 minutes 83 00:04:06,960 --> 00:04:02,799 I wanted the audio to sound like 60 84 00:04:11,039 --> 00:04:06,970 minutes that's expensive and you know 85 00:04:12,660 --> 00:04:11,049 and I was I was not going to settle for 86 00:04:13,920 --> 00:04:12,670 anything less and there were there were 87 00:04:16,409 --> 00:04:13,930 periods during the production of this 88 00:04:18,120 --> 00:04:16,419 movie where I ran out of money and I 89 00:04:19,409 --> 00:04:18,130 just had to wait until I generated more 90 00:04:21,029 --> 00:04:19,419 money because I wasn't just gonna fill 91 00:04:22,260 --> 00:04:21,039 the gap fill the void and by doing what 92 00:04:24,150 --> 00:04:22,270 I'd done in the past 93 00:04:25,800 --> 00:04:24,160 I wanted to maintain that level of 94 00:04:28,140 --> 00:04:25,810 production so that's what we did with 95 00:04:31,230 --> 00:04:28,150 the phenomenon we also got very 96 00:04:34,050 --> 00:04:31,240 fortunate to to have the likes of Jaco 97 00:04:36,870 --> 00:04:34,060 LA as consultants Thank You Lee Spiegel 98 00:04:38,279 --> 00:04:36,880 for that by the way that's really helped 99 00:04:40,860 --> 00:04:38,289 us put the pieces of the puzzle together 100 00:04:42,779 --> 00:04:40,870 in a way that you know according to Jean 101 00:04:43,200 --> 00:04:42,789 has never been done and I feel the same 102 00:04:45,510 --> 00:04:43,210 way 103 00:04:47,430 --> 00:04:45,520 while we're covering some familiar 104 00:04:50,200 --> 00:04:47,440 material we're doing it in a new light a 105 00:04:52,780 --> 00:04:50,210 new angle new interviews 106 00:04:54,040 --> 00:04:52,790 and with a different twist with more 107 00:04:58,000 --> 00:04:54,050 reality of what was going on behind the 108 00:05:00,880 --> 00:04:58,010 scenes did you kind of take on a life of 109 00:05:02,560 --> 00:05:00,890 its own like through morphing or did you 110 00:05:04,510 --> 00:05:02,570 have up like a set plan right from the 111 00:05:05,980 --> 00:05:04,520 very beginning oh they always take a 112 00:05:07,360 --> 00:05:05,990 life of their own I mean things you know 113 00:05:09,220 --> 00:05:07,370 when you're in a six-year production I 114 00:05:10,330 --> 00:05:09,230 mean we could have never predicted that 115 00:05:12,400 --> 00:05:10,340 the front page of the New York Times 116 00:05:14,800 --> 00:05:12,410 would have exposed a temp I mean we had 117 00:05:17,320 --> 00:05:14,810 no idea that was going on I was I was 118 00:05:21,100 --> 00:05:17,330 hanging out with Bob with Bigelow in 119 00:05:22,300 --> 00:05:21,110 2010 when that was in full swing right 120 00:05:23,650 --> 00:05:22,310 he's already got the contracts and that 121 00:05:23,920 --> 00:05:23,660 was go never told me about any of that 122 00:05:27,310 --> 00:05:23,930 stuff 123 00:05:29,380 --> 00:05:27,320 of course not he's super secretive 2010 124 00:05:31,300 --> 00:05:29,390 11 12 I remember I even said to hear my 125 00:05:33,730 --> 00:05:31,310 kids for this is I'm laughing right now 126 00:05:35,860 --> 00:05:33,740 I said whose side are you on like who do 127 00:05:39,670 --> 00:05:35,870 you really work for I mean he's kind of 128 00:05:41,530 --> 00:05:39,680 laughing you know excuse me but it's 129 00:05:43,750 --> 00:05:41,540 it's funny it's ironic that you know a 130 00:05:44,950 --> 00:05:43,760 tip came out so that was another year 131 00:05:47,440 --> 00:05:44,960 and a half a production we went after 132 00:05:51,040 --> 00:05:47,450 Harry Reid we went after Podesta we went 133 00:05:52,270 --> 00:05:51,050 after flavor and New York Times and you 134 00:05:54,210 --> 00:05:52,280 know we wanted to cover that whole story 135 00:05:57,220 --> 00:05:54,220 was a big deal you know and so we did 136 00:05:58,900 --> 00:05:57,230 and and since then even more stuff's 137 00:06:00,190 --> 00:05:58,910 been coming out so even right down to 138 00:06:01,780 --> 00:06:00,200 the last minute I'm I was like II 139 00:06:05,410 --> 00:06:01,790 talking to that gentleman rights for 140 00:06:10,570 --> 00:06:05,420 political Byron I think it was its BB 141 00:06:13,930 --> 00:06:10,580 Brian Baron there's a bender Brian 142 00:06:15,340 --> 00:06:13,940 bender yeah so I was talking to Brian 143 00:06:16,480 --> 00:06:15,350 bender about you know possibly get an 144 00:06:18,010 --> 00:06:16,490 interview with one of the congressmen 145 00:06:20,080 --> 00:06:18,020 that's been frustrated and feels that 146 00:06:22,170 --> 00:06:20,090 the Navy hasn't been totally forthcoming 147 00:06:24,400 --> 00:06:22,180 even though they have made some pretty 148 00:06:27,910 --> 00:06:24,410 powerful statements that they're still 149 00:06:29,200 --> 00:06:27,920 hiding stuff potentially anyway so that 150 00:06:30,580 --> 00:06:29,210 could be a latest update so I might 151 00:06:32,470 --> 00:06:30,590 actually go to Washington and do that 152 00:06:34,770 --> 00:06:32,480 you know write down the last minute of 153 00:06:37,720 --> 00:06:34,780 course you know Mazal get the latest 154 00:06:39,940 --> 00:06:37,730 stuff it in there the last minute so um 155 00:06:42,310 --> 00:06:39,950 so yeah it's constantly evolving and and 156 00:06:47,860 --> 00:06:42,320 and and changing and and and getting 157 00:06:49,180 --> 00:06:47,870 better how would you want to make a stab 158 00:06:58,870 --> 00:06:49,190 at about how many hours 159 00:07:06,230 --> 00:07:04,340 god she's I would say the most well 160 00:07:11,240 --> 00:07:06,240 let's put it this way for a ten-minute 161 00:07:13,190 --> 00:07:11,250 section in Africa it was the most 162 00:07:15,470 --> 00:07:13,200 expensive production I've ever done and 163 00:07:17,060 --> 00:07:15,480 it probably I want to say at least a 164 00:07:20,150 --> 00:07:17,070 thousand hours to edit the ten minutes 165 00:07:23,450 --> 00:07:20,160 at least I'm dead serious 166 00:07:25,460 --> 00:07:23,460 oh yeah we went through we went through 167 00:07:27,410 --> 00:07:25,470 hundreds of hours of material and then 168 00:07:30,050 --> 00:07:27,420 we had to color code everything and then 169 00:07:31,850 --> 00:07:30,060 Whittle it down basically you know 170 00:07:33,260 --> 00:07:31,860 several hundred hours because we had 171 00:07:35,330 --> 00:07:33,270 three camera interviews we went to 172 00:07:38,830 --> 00:07:35,340 Africa we had all the archive stuff that 173 00:07:40,760 --> 00:07:38,840 dr. John Mac had done we had interviews 174 00:07:42,350 --> 00:07:40,770 roundtable interviews we had interviews 175 00:07:44,360 --> 00:07:42,360 with them sit down and the witnesses now 176 00:07:45,740 --> 00:07:44,370 adults with all the archived stuff and 177 00:07:47,360 --> 00:07:45,750 then we went to Africa I mean all those 178 00:07:48,770 --> 00:07:47,370 interviews in Africa and we had to 179 00:07:50,900 --> 00:07:48,780 Whittle all of that down to ten minutes 180 00:07:52,990 --> 00:07:50,910 and we had to get the essence of the 181 00:07:56,210 --> 00:07:53,000 entire story in ten minutes it was 182 00:07:57,680 --> 00:07:56,220 extremely challenging and I would say 183 00:07:59,690 --> 00:07:57,690 easily a thousand hours and I had three 184 00:08:01,760 --> 00:07:59,700 or four different guys myself included 185 00:08:06,020 --> 00:08:01,770 working on it every every step of the 186 00:08:07,280 --> 00:08:06,030 process and and you know I had people 187 00:08:08,750 --> 00:08:07,290 say oh I really want to come into the 188 00:08:10,430 --> 00:08:08,760 Edit studio with you sometime and check 189 00:08:15,140 --> 00:08:10,440 out job two and they come in there and I 190 00:08:16,760 --> 00:08:15,150 oh Jesus is this you know if you if you 191 00:08:18,830 --> 00:08:16,770 blink you've missed about a week's work 192 00:08:20,870 --> 00:08:18,840 if you tie your shoe you missed a 193 00:08:22,100 --> 00:08:20,880 month's work I tell people that like I 194 00:08:23,480 --> 00:08:22,110 want to pin people's eyes open when 195 00:08:25,760 --> 00:08:23,490 they're watching me like don't miss 196 00:08:29,090 --> 00:08:25,770 anything you know I've spent so much 197 00:08:36,640 --> 00:08:29,100 time doing this but would you be willing 198 00:08:41,300 --> 00:08:38,720 didn't even have funding yet just 199 00:08:43,010 --> 00:08:41,310 brought this guy on board with the 200 00:08:45,470 --> 00:08:43,020 promise of funding and I was just 201 00:08:48,050 --> 00:08:45,480 adamantly wanting to go after Colonel 202 00:08:50,120 --> 00:08:48,060 William T Coleman who had World War two 203 00:08:51,890 --> 00:08:50,130 pilot he was a public information 204 00:08:54,920 --> 00:08:51,900 officer project Bluebook 205 00:08:56,560 --> 00:08:54,930 and in 1955 he had this incredibly 206 00:08:59,960 --> 00:08:56,570 dramatic encounter with a flying saucer 207 00:09:02,150 --> 00:08:59,970 over Alabama with three engineers to 208 00:09:04,640 --> 00:09:02,160 Allison engines and Lockheed Martin I 209 00:09:06,470 --> 00:09:04,650 believe and it was a it was a nine 210 00:09:07,820 --> 00:09:06,480 minute long encounter it got to the 211 00:09:09,950 --> 00:09:07,830 point where they're almost gonna collide 212 00:09:11,190 --> 00:09:09,960 with this thing I mean it's a phenomenal 213 00:09:14,670 --> 00:09:11,200 story by a very 214 00:09:16,740 --> 00:09:14,680 credible observer who later you know was 215 00:09:21,630 --> 00:09:16,750 project project Bluebook spokesman you 216 00:09:23,220 --> 00:09:21,640 know it's like anyway during the and I 217 00:09:24,510 --> 00:09:23,230 can't remember I kept telling my funder 218 00:09:26,250 --> 00:09:24,520 I was like we gotta go he's like well 219 00:09:28,140 --> 00:09:26,260 we're gonna formulate a plan we gotta 220 00:09:29,940 --> 00:09:28,150 get this guy on camera he's 90 years old 221 00:09:31,380 --> 00:09:29,950 we gotta go you know I don't we can't 222 00:09:32,580 --> 00:09:31,390 wait like you know there's a couple 223 00:09:34,980 --> 00:09:32,590 people that I just absolutely put my 224 00:09:37,110 --> 00:09:34,990 foot down and he was one of them and and 225 00:09:40,260 --> 00:09:37,120 in the middle of the interview I turned 226 00:09:41,460 --> 00:09:40,270 to my camera guy this guy David West and 227 00:09:42,660 --> 00:09:41,470 I said Dave this is going to be the 228 00:09:44,910 --> 00:09:42,670 opening seat of the movie and he's like 229 00:09:45,930 --> 00:09:44,920 yes it is and we you know of course 230 00:09:47,910 --> 00:09:45,940 we're gonna have to raise the money and 231 00:09:51,080 --> 00:09:47,920 we got the rent the the World War 2 232 00:09:53,640 --> 00:09:51,090 plane and it has a big deal ground crew 233 00:09:54,990 --> 00:09:53,650 people you know cameras in the air I 234 00:09:56,670 --> 00:09:55,000 mean as soon as those propellers start 235 00:10:01,130 --> 00:09:56,680 up that plane is you don't even want to 236 00:10:03,360 --> 00:10:01,140 know like how expensive it was yeah 237 00:10:07,190 --> 00:10:03,370 plane well was the night it was a 238 00:10:09,510 --> 00:10:07,200 nineteen 41 or 42 b-25 bomber 239 00:10:10,230 --> 00:10:09,520 twin-engine and it's the opening scene 240 00:10:12,840 --> 00:10:10,240 of the whole movie 241 00:10:14,850 --> 00:10:12,850 it starts off with this really dramatic 242 00:10:17,040 --> 00:10:14,860 I call it kind of like the Bond opening 243 00:10:18,600 --> 00:10:17,050 because it's really cool you go see a 244 00:10:20,160 --> 00:10:18,610 James Bond film and it opens up with 245 00:10:21,330 --> 00:10:20,170 this really dramatic chase scene there's 246 00:10:23,190 --> 00:10:21,340 no credits or anything it's it's like 247 00:10:25,200 --> 00:10:23,200 you're in it you know I mean and it's 248 00:10:28,290 --> 00:10:25,210 like okay that got my attention that was 249 00:10:30,390 --> 00:10:28,300 kind of our whole it you know it's a 250 00:10:32,400 --> 00:10:30,400 really exciting dramatic encounter but 251 00:10:35,040 --> 00:10:32,410 it's also relevant in the bigger picture 252 00:10:37,500 --> 00:10:35,050 you know yeah they never were able to 253 00:10:38,880 --> 00:10:37,510 explain it when he became a public 254 00:10:40,140 --> 00:10:38,890 spokesman for a project Bluebook the 255 00:10:42,030 --> 00:10:40,150 first thing he did was went to go find 256 00:10:44,070 --> 00:10:42,040 out you know where his encounter was of 257 00:10:45,930 --> 00:10:44,080 course it wasn't there could you say 258 00:10:48,930 --> 00:10:45,940 it's not between the cracks mmm I don't 259 00:10:50,250 --> 00:10:48,940 know but uh yeah so anyway so that's the 260 00:10:52,620 --> 00:10:50,260 opening scene to the film yeah 261 00:10:55,470 --> 00:10:52,630 does he had any time talk about anything 262 00:10:58,040 --> 00:10:55,480 really interesting about project 263 00:11:02,000 --> 00:10:58,050 Bluebook that you were unaware of uh 264 00:11:04,290 --> 00:11:02,010 yeah I mean he talks about the fact that 265 00:11:05,460 --> 00:11:04,300 budget Blue Book when they closed made 266 00:11:07,170 --> 00:11:05,470 some bogus statements that were 267 00:11:09,540 --> 00:11:07,180 inaccurate and we addressed that in the 268 00:11:11,700 --> 00:11:09,550 film yeah and he talks about you know 269 00:11:14,010 --> 00:11:11,710 they were never able to determine what 270 00:11:18,710 --> 00:11:14,020 these things were means I got to know 271 00:11:21,000 --> 00:11:18,720 what they've done since but you know I 272 00:11:24,000 --> 00:11:21,010 and I think it's interesting that they 273 00:11:24,540 --> 00:11:24,010 were all it was 1955 Blue Book was in 274 00:11:27,990 --> 00:11:24,550 full swing 275 00:11:29,610 --> 00:11:28,000 they were all debriefed independently of 276 00:11:30,930 --> 00:11:29,620 one another it each and every witness 277 00:11:33,180 --> 00:11:30,940 remember these are engineers and pilots 278 00:11:34,620 --> 00:11:33,190 and they had this dramatic encounter 279 00:11:35,790 --> 00:11:34,630 where they thought at one point they're 280 00:11:38,460 --> 00:11:35,800 gonna collide with this thing and they 281 00:11:41,490 --> 00:11:38,470 were a tree top flying flat out at 282 00:11:44,010 --> 00:11:41,500 treetop level in a b25 in 1955 over 283 00:11:46,530 --> 00:11:44,020 Alabama with a disc in front of them 284 00:11:48,420 --> 00:11:46,540 that was unrecognizable to all members 285 00:11:49,500 --> 00:11:48,430 on board and at one point he literally 286 00:11:50,940 --> 00:11:49,510 said I thought was gonna hit the thing 287 00:11:52,710 --> 00:11:50,950 and I had to do an evasive action and 288 00:11:55,080 --> 00:11:52,720 come up and try to get along the side of 289 00:11:57,300 --> 00:11:55,090 it and then it was just it was just 290 00:11:59,670 --> 00:11:57,310 going across this plowed field and dirt 291 00:12:01,290 --> 00:11:59,680 was swirls coming up on the other side 292 00:12:03,570 --> 00:12:01,300 of it was going across this look another 293 00:12:05,400 --> 00:12:03,580 thing going the hell is this was he 294 00:12:08,160 --> 00:12:05,410 actually was he actually tracking it was 295 00:12:11,340 --> 00:12:08,170 he following it they it was all visual 296 00:12:12,480 --> 00:12:11,350 so they they saw it it like 9,000 feet 297 00:12:14,490 --> 00:12:12,490 or something and it came down across 298 00:12:17,100 --> 00:12:14,500 their flight path and then they chased 299 00:12:20,760 --> 00:12:17,110 it because they went right to treetop 300 00:12:23,430 --> 00:12:20,770 yes that's risky right yes yeah and what 301 00:12:27,030 --> 00:12:23,440 was it like he said he was in today to 302 00:12:28,770 --> 00:12:27,040 do that reenactment oh yeah I was 303 00:12:30,630 --> 00:12:28,780 talking to a couple of different guys 304 00:12:32,460 --> 00:12:30,640 and I said right off the bat I said look 305 00:12:34,020 --> 00:12:32,470 if you guys can't fly treetop level flat 306 00:12:36,350 --> 00:12:34,030 out then we can't do this dude 307 00:12:39,090 --> 00:12:36,360 he's like yeah I think we could do that 308 00:12:41,280 --> 00:12:39,100 we had to come in or this oh this area 309 00:12:43,050 --> 00:12:41,290 and you know we only had he's like we 310 00:12:44,940 --> 00:12:43,060 only have about three passes because you 311 00:12:46,110 --> 00:12:44,950 guys better get this because you know 312 00:12:48,000 --> 00:12:46,120 we're not really not supposed to be 313 00:12:49,470 --> 00:12:48,010 doing this we came out of this car I'm 314 00:12:51,600 --> 00:12:49,480 in the nosecone I'm in the little glass 315 00:12:55,860 --> 00:12:51,610 bubble we're coming down over these 316 00:12:57,870 --> 00:12:55,870 trees and there was incredible them I 317 00:12:59,040 --> 00:12:57,880 didn't even tell anybody that I was 318 00:13:00,450 --> 00:12:59,050 doing it because I was worried that 319 00:13:04,950 --> 00:13:00,460 people were gonna you know it was a 320 00:13:06,540 --> 00:13:04,960 little risky but pretty scary but it's a 321 00:13:08,580 --> 00:13:06,550 really dramatic opening I hope people 322 00:13:10,620 --> 00:13:08,590 appreciate it I think they will instead 323 00:13:12,990 --> 00:13:10,630 of trailer available online at this 324 00:13:15,360 --> 00:13:13,000 point or will be no it will be soon up 325 00:13:17,970 --> 00:13:15,370 probably I don't know maybe a month or 326 00:13:19,740 --> 00:13:17,980 so yeah something like that yeah all 327 00:13:22,230 --> 00:13:19,750 right can you tell us what kind of 328 00:13:25,680 --> 00:13:22,240 places you went to to do this film how 329 00:13:30,260 --> 00:13:25,690 many different you into China yes mm-hmm 330 00:13:33,720 --> 00:13:30,270 yeah yeah so we wanted to really 331 00:13:35,909 --> 00:13:33,730 mosquito a little water here um 332 00:13:37,530 --> 00:13:35,919 we wanted to really once again 333 00:13:41,639 --> 00:13:37,540 demonstrate the global nature of the 334 00:13:44,249 --> 00:13:41,649 phenomenon and so we went all around the 335 00:13:45,869 --> 00:13:44,259 world I mean we went to uh we spent 336 00:13:47,939 --> 00:13:45,879 probably the better part of a month in 337 00:13:51,569 --> 00:13:47,949 in China with her twice I went all 338 00:13:53,249 --> 00:13:51,579 across China with a crew and we went to 339 00:13:56,099 --> 00:13:53,259 Australia spend a month in Australia I 340 00:13:57,960 --> 00:13:56,109 went to Africa and I remember at the 341 00:13:59,189 --> 00:13:57,970 time and I'd done all the interviews and 342 00:14:01,499 --> 00:13:59,199 gotten the archive footage of the 343 00:14:02,759 --> 00:14:01,509 landing of that case Andrew Zimbabwe and 344 00:14:05,369 --> 00:14:02,769 then I was like I need to go to Africa 345 00:14:06,840 --> 00:14:05,379 and my my sponsors were like well you 346 00:14:08,340 --> 00:14:06,850 really need to go to Africa like why 347 00:14:10,349 --> 00:14:08,350 didn't you could have her mic happen in 348 00:14:11,970 --> 00:14:10,359 Africa I gotta go you know of course it 349 00:14:13,979 --> 00:14:11,980 was the best thing I ever did because I 350 00:14:15,030 --> 00:14:13,989 got the teacher on camera I'm more of 351 00:14:16,619 --> 00:14:15,040 the students and I got to go to the 352 00:14:19,739 --> 00:14:16,629 actual site where it happened 353 00:14:22,559 --> 00:14:19,749 you know and see that so over South 354 00:14:26,400 --> 00:14:22,569 America four times and then all across 355 00:14:28,859 --> 00:14:26,410 the United States going back to Africa 356 00:14:34,259 --> 00:14:28,869 what was the teacher like in reaction to 357 00:14:35,639 --> 00:14:34,269 the incident she she was apologetic she 358 00:14:37,949 --> 00:14:35,649 admitted on camera that she had lied 359 00:14:39,840 --> 00:14:37,959 because she was more concerned about her 360 00:14:41,189 --> 00:14:39,850 career than she was about what really 361 00:14:43,650 --> 00:14:41,199 happened and that she wanted to 362 00:14:46,529 --> 00:14:43,660 apologize to the children Wow but no 363 00:14:51,900 --> 00:14:46,539 teachers as far as I when I she was 364 00:14:54,900 --> 00:14:51,910 teacher and she saw it oh wow 365 00:14:57,059 --> 00:14:54,910 that is that's a bombshell yeah yep yeah 366 00:14:59,009 --> 00:14:57,069 because according to even the student 367 00:15:01,259 --> 00:14:59,019 said I've talked to they didn't pick the 368 00:15:03,419 --> 00:15:01,269 teacher knew well you know the whole 369 00:15:04,769 --> 00:15:03,429 community around that area and even 370 00:15:08,009 --> 00:15:04,779 Harare and Rua 371 00:15:10,319 --> 00:15:08,019 itself had witnessed the UFOs in the 372 00:15:11,819 --> 00:15:10,329 news we and we report on that in the you 373 00:15:15,150 --> 00:15:11,829 know a lot of adults saw the object the 374 00:15:17,519 --> 00:15:15,160 children saw the objects land but a lots 375 00:15:18,720 --> 00:15:17,529 of adults saw the UFO and it was even 376 00:15:20,909 --> 00:15:18,730 filmed 377 00:15:22,470 --> 00:15:20,919 I don't know nine seconds at night it 378 00:15:24,479 --> 00:15:22,480 looks just like a little cigar thing he 379 00:15:25,859 --> 00:15:24,489 stuck terribly impressive but it's 380 00:15:31,229 --> 00:15:25,869 footage it was on the news and we have 381 00:15:33,509 --> 00:15:31,239 it in the film so so I consider that one 382 00:15:37,979 --> 00:15:33,519 of the top cases myself yeah you know 383 00:15:39,210 --> 00:15:37,989 I'm just a fascinating case do you want 384 00:15:42,239 --> 00:15:39,220 to talk about some of the Cape other 385 00:15:45,029 --> 00:15:42,249 cases in particular like um I really 386 00:15:49,799 --> 00:15:45,039 can't think of any cases in China but I 387 00:15:52,109 --> 00:15:49,809 know there a lot of them one of the 388 00:15:55,259 --> 00:15:52,119 things that I was impressed with was 389 00:15:57,389 --> 00:15:55,269 that well first of all any UF 390 00:15:58,649 --> 00:15:57,399 organisation in China has to be official 391 00:16:01,319 --> 00:15:58,659 stamp of approval from the government 392 00:16:04,139 --> 00:16:01,329 and sort of a tacit yes we we support 393 00:16:07,259 --> 00:16:04,149 what you're doing but I learned about 394 00:16:08,789 --> 00:16:07,269 this Hmong Jaguar case it also happened 395 00:16:12,539 --> 00:16:08,799 in 1994 and there were a couple people 396 00:16:14,039 --> 00:16:12,549 that outside of a village that I guess a 397 00:16:16,829 --> 00:16:14,049 lot of people in the village saw this 398 00:16:17,999 --> 00:16:16,839 thing either landing or landed and a 399 00:16:20,009 --> 00:16:18,009 couple of guys scaled up the 400 00:16:22,590 --> 00:16:20,019 mountainside and came in contact with 401 00:16:24,210 --> 00:16:22,600 allegedly came in contact with the beans 402 00:16:26,220 --> 00:16:24,220 and they had received the same 403 00:16:28,019 --> 00:16:26,230 environmental message as the children 404 00:16:38,009 --> 00:16:28,029 had received in Africa in the same year 405 00:16:44,789 --> 00:16:42,389 yes well very interesting Shane Ryan was 406 00:16:46,079 --> 00:16:44,799 incredibly absolutely instrumental in 407 00:16:48,149 --> 00:16:46,089 making all that happen 408 00:16:50,599 --> 00:16:48,159 and James Rigney and a handful of other 409 00:16:54,779 --> 00:16:50,609 people in in in Australia were 410 00:16:59,099 --> 00:16:54,789 incredibly supportive and helpful and we 411 00:17:00,659 --> 00:16:59,109 were there like I said for about a month 412 00:17:02,399 --> 00:17:00,669 worked on the case for about three weeks 413 00:17:05,639 --> 00:17:02,409 I took a little time off up at Port 414 00:17:07,169 --> 00:17:05,649 Douglas but went on some pretty big you 415 00:17:09,869 --> 00:17:07,179 know shows and we've got some good news 416 00:17:12,090 --> 00:17:09,879 coverage and I was on a radio talk show 417 00:17:13,500 --> 00:17:12,100 and I didn't have time to follow up on 418 00:17:16,049 --> 00:17:13,510 this I'm hoping that Shane Ryan followed 419 00:17:18,659 --> 00:17:16,059 up on it but you know we interviewed 420 00:17:19,710 --> 00:17:18,669 witnesses that saw the UFO land we 421 00:17:21,569 --> 00:17:19,720 interviewed a gentleman who took a 422 00:17:23,519 --> 00:17:21,579 photograph of what was probably the 423 00:17:26,279 --> 00:17:23,529 object 17 kilometers away two days 424 00:17:28,199 --> 00:17:26,289 earlier and we have we got our hands on 425 00:17:30,029 --> 00:17:28,209 that photograph for the first time but 426 00:17:31,230 --> 00:17:30,039 there was a guy that called in on the 427 00:17:33,779 --> 00:17:31,240 radio that apparently went to the school 428 00:17:35,850 --> 00:17:33,789 it got to the trees a bit sooner than 429 00:17:37,560 --> 00:17:35,860 then these other witnesses because the 430 00:17:39,330 --> 00:17:37,570 object was flying over the school 431 00:17:40,649 --> 00:17:39,340 there's what roughly I think was like 432 00:17:41,190 --> 00:17:40,659 10:30 the morning something like that 433 00:17:44,970 --> 00:17:41,200 and 434 00:17:46,669 --> 00:17:44,980 was roughly 365 witnesses all outside 435 00:17:49,200 --> 00:17:46,679 watching it including the teachers and 436 00:17:51,570 --> 00:17:49,210 and then the object was just you know it 437 00:17:52,769 --> 00:17:51,580 appear here and over here so some of the 438 00:17:54,870 --> 00:17:52,779 students were like I think there was two 439 00:17:58,710 --> 00:17:54,880 some of them are like I was just one it 440 00:18:01,230 --> 00:17:58,720 wasn't sure but there were 300 plus 441 00:18:01,860 --> 00:18:01,240 people outside watching this in broad 442 00:18:04,320 --> 00:18:01,870 daylight 443 00:18:06,629 --> 00:18:04,330 then the object goes off excuse me 444 00:18:08,490 --> 00:18:06,639 behind a field and lands some of the 445 00:18:11,159 --> 00:18:08,500 students jumped the fence went over to 446 00:18:15,990 --> 00:18:11,169 where it landed well the guy phoned in 447 00:18:18,990 --> 00:18:16,000 and said that there was a a being 448 00:18:21,210 --> 00:18:19,000 dressed in white that was outside in the 449 00:18:23,340 --> 00:18:21,220 forest outside of the craft but but we 450 00:18:26,310 --> 00:18:23,350 never got to follow up on that so maybe 451 00:18:27,539 --> 00:18:26,320 that may be big maybe it might have been 452 00:18:30,029 --> 00:18:27,549 in close encounter of the Third Kind but 453 00:18:31,379 --> 00:18:30,039 the students that I did talk to actually 454 00:18:34,379 --> 00:18:31,389 walked up to the craft that was sitting 455 00:18:36,870 --> 00:18:34,389 on the ground got within 12 feet of it I 456 00:18:39,509 --> 00:18:36,880 mean right there man can you imagine and 457 00:18:41,100 --> 00:18:39,519 talk about a surreal moment and very you 458 00:18:42,750 --> 00:18:41,110 know as a researcher and someone who's 459 00:18:45,330 --> 00:18:42,760 gone out and interviewed a lot of people 460 00:18:47,970 --> 00:18:45,340 for a long time having someone get that 461 00:18:49,649 --> 00:18:47,980 close to a landed flying saucer is 462 00:18:51,419 --> 00:18:49,659 pretty rare that you hear those stories 463 00:18:52,980 --> 00:18:51,429 you know use these like I think I saw it 464 00:18:53,460 --> 00:18:52,990 like way off and then this was like 465 00:19:05,669 --> 00:18:53,470 right there 466 00:19:09,240 --> 00:19:05,679 if you speculate a little bit I do I do 467 00:19:10,830 --> 00:19:09,250 the the UFO that was seen in Africa a 468 00:19:12,330 --> 00:19:10,840 lot of times you get these sightings 469 00:19:14,039 --> 00:19:12,340 over a several like a week period or 470 00:19:16,669 --> 00:19:14,049 several days they'll be sightings in an 471 00:19:19,440 --> 00:19:16,679 area and then why did it choose the land 472 00:19:21,539 --> 00:19:19,450 or make contact with students and I can 473 00:19:23,070 --> 00:19:21,549 only speculate that but to me I would 474 00:19:27,899 --> 00:19:23,080 say that they're the most benign 475 00:19:29,159 --> 00:19:27,909 presence would be children I mean if I 476 00:19:31,980 --> 00:19:29,169 were to make contact I would probably 477 00:19:33,299 --> 00:19:31,990 make an assessment as so you know we you 478 00:19:35,159 --> 00:19:33,309 know military shoots of these things 479 00:19:37,830 --> 00:19:35,169 right so we're very hostile posture 480 00:19:41,149 --> 00:19:37,840 towards anything we can't identify the 481 00:19:43,529 --> 00:19:41,159 children just you know this date the 482 00:19:44,879 --> 00:19:43,539 some of the children had told me and I 483 00:19:52,619 --> 00:19:44,889 think I mentioned this yesterday my talk 484 00:19:53,919 --> 00:19:52,629 there are these wouldn't like poles like 485 00:19:55,389 --> 00:19:53,929 telephone poles almost 486 00:19:58,090 --> 00:19:55,399 sides that would define the outer 487 00:19:59,470 --> 00:19:58,100 perimeter of the playground and the 488 00:20:03,669 --> 00:19:59,480 children weren't allowed to go beyond 489 00:20:05,470 --> 00:20:03,679 those poles because the fields were not 490 00:20:07,029 --> 00:20:05,480 mode and there's deadly snakes and 491 00:20:08,619 --> 00:20:07,039 spiders and so they were you know really 492 00:20:10,239 --> 00:20:08,629 not supposed to go beyond that point but 493 00:20:12,090 --> 00:20:10,249 they would go right to the edge and they 494 00:20:16,690 --> 00:20:12,100 would dance along the tops of these 495 00:20:19,779 --> 00:20:16,700 poles and some of the children had 496 00:20:23,109 --> 00:20:19,789 mentioned had said to me as adults that 497 00:20:25,480 --> 00:20:23,119 the beings were mimicking the children 498 00:20:27,249 --> 00:20:25,490 playing on the on the poles they were 499 00:20:28,930 --> 00:20:27,259 sort of dancing along the side like they 500 00:20:30,220 --> 00:20:28,940 were mimicking their character they were 501 00:20:33,489 --> 00:20:30,230 just plain having fun it was like 502 00:20:35,649 --> 00:20:33,499 totally benign encounter so it's just 503 00:20:39,279 --> 00:20:35,659 you know that really struck a chord with 504 00:20:42,220 --> 00:20:39,289 me because you know children are pretty 505 00:20:44,499 --> 00:20:42,230 innocent and-and-and harmless right and 506 00:20:45,519 --> 00:20:44,509 so maybe they made again I'm speculating 507 00:20:48,489 --> 00:20:45,529 here but maybe they made that 508 00:20:50,799 --> 00:20:48,499 determination that that's why they went 509 00:20:52,810 --> 00:20:50,809 and landed with the children I also 510 00:20:55,659 --> 00:20:52,820 think they're impressionable too and you 511 00:20:58,659 --> 00:20:55,669 hear about these well and for instance 512 00:21:01,090 --> 00:20:58,669 in the African case you hear about the 513 00:21:03,159 --> 00:21:01,100 possible telepathy that they may have 514 00:21:05,230 --> 00:21:03,169 received in taking care of the planet 515 00:21:07,629 --> 00:21:05,240 yes I think that's a very big message 516 00:21:10,090 --> 00:21:07,639 and one that's actually fits you know 517 00:21:12,700 --> 00:21:10,100 very well today very very much so yeah 518 00:21:15,639 --> 00:21:12,710 yeah very much so is interesting message 519 00:21:18,009 --> 00:21:15,649 yes so James tell tell everyone about 520 00:21:19,779 --> 00:21:18,019 the film word when can we expect to see 521 00:21:21,369 --> 00:21:19,789 it and I'll say one more one more 522 00:21:24,310 --> 00:21:21,379 quickly thing on since we're on the 523 00:21:27,070 --> 00:21:24,320 topic of the message is that when I met 524 00:21:29,109 --> 00:21:27,080 with Senator Harry Reid one of the 525 00:21:30,789 --> 00:21:29,119 things that he said to me was one of the 526 00:21:32,049 --> 00:21:30,799 more alarming aspects of the phenomenon 527 00:21:37,629 --> 00:21:32,059 that they had uncovered it during their 528 00:21:40,029 --> 00:21:37,639 investigations with a tip was they would 529 00:21:44,340 --> 00:21:40,039 come over these nuclear-tipped missile 530 00:21:47,350 --> 00:21:44,350 sites and disarm our weapons and and 531 00:21:48,909 --> 00:21:47,360 Senator Harry Reid said on camera if if 532 00:21:51,159 --> 00:21:48,919 the president had called the launch he 533 00:21:53,109 --> 00:21:51,169 couldn't have done it so I decided to go 534 00:21:55,629 --> 00:21:53,119 back and you talk about the film 535 00:21:57,609 --> 00:21:55,639 changing and revisit some of those 536 00:22:01,269 --> 00:21:57,619 testimonies so I contacted Robert 537 00:22:02,739 --> 00:22:01,279 Hastings and I heat son extensive work 538 00:22:04,419 --> 00:22:02,749 on the on the he opened up his entire 539 00:22:05,500 --> 00:22:04,429 library to me and we put together a 540 00:22:07,600 --> 00:22:05,510 really powerful ten 541 00:22:12,550 --> 00:22:07,610 segment dealing with UFOs and nukes in 542 00:22:15,370 --> 00:22:12,560 the piece and launch officer Robert 543 00:22:18,150 --> 00:22:15,380 Salas makes a very poignant statement at 544 00:22:21,370 --> 00:22:18,160 the end of all this incredible testimony 545 00:22:22,840 --> 00:22:21,380 and he said the message to me seems 546 00:22:26,800 --> 00:22:22,850 pretty clear what are you guys doing 547 00:22:30,040 --> 00:22:26,810 with nuclear weapons makes a lot of 548 00:22:33,190 --> 00:22:30,050 sense yeah so can you tell us about when 549 00:22:36,060 --> 00:22:33,200 we can expect the movie out yeah so the 550 00:22:40,570 --> 00:22:36,070 the movie is coming out in the spring 551 00:22:43,570 --> 00:22:40,580 there will be trailers and websites 552 00:22:45,610 --> 00:22:43,580 dedicated to it we there's PR company in 553 00:22:47,530 --> 00:22:45,620 both New York and in Los Angeles that 554 00:22:48,570 --> 00:22:47,540 are working on putting together PR for 555 00:22:50,350 --> 00:22:48,580 it we're working on that now 556 00:22:51,550 --> 00:22:50,360 simultaneously wrapping up the film 557 00:22:53,470 --> 00:22:51,560 trying to make it as good as we possibly 558 00:22:55,300 --> 00:22:53,480 can trip me a few things down tightening 559 00:22:57,130 --> 00:22:55,310 up the end a little bit there's motion 560 00:22:58,810 --> 00:22:57,140 graphics and color Corrections and sound 561 00:23:00,100 --> 00:22:58,820 mixing that still need to be done we're 562 00:23:02,530 --> 00:23:00,110 working around the clock seven days a 563 00:23:04,780 --> 00:23:02,540 week but there will be updates and 564 00:23:06,970 --> 00:23:04,790 trailers coming out soon this year yeah 565 00:23:08,290 --> 00:23:06,980 that's great so I understand in the 566 00:23:11,170 --> 00:23:08,300 credits at the very end of the credits 567 00:23:16,150 --> 00:23:11,180 that says a film by Lee Spiegel and big 568 00:23:20,110 --> 00:23:16,160 letter I think it's gonna just say Lee 569 00:23:25,390 --> 00:23:20,120 Spiegel thanks so much thanks for having 570 00:23:40,960 --> 00:23:25,400 me on thanks so much it's been a real